Alexander Mandagie Paris
Purple Bentenan and French Silk Velvet Cushion
Purple Bentenan and French Silk Velvet Cushion
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This 45 x 45 cm cushion features authentic Bentenan fabric from Minahasa, a tribe from the North Sulawesi region of Indonesia, on the front, handwoven by local artisans using traditional techniques and natural plant-based dyes that reflect the region’s rich heritage and intricate motifs. The back is crafted from luxurious French silk velvet, renowned for its softness, elegant sheen, and enduring quality, adding a touch of European refinement to the piece. This unique cushion beautifully unites Indonesian craftsmanship and culture with the timeless sophistication of French textiles, making it a striking accent for any interior.
Each cushion is made to order, allowing time for careful craftsmanship and attention to detail—a perfect gift to reflect your style and taste. Your piece will be ready for shipping within 15 working days from the date of order. We invite you to place your order now.
Dimensions: 45 cm x 45cm. High-quality insert included. Materials used for the front of the cushion: Handwoven cotton with artisanal natural dyes. Materials used for the back of the cushion: French silk velvet. All of our cushions are made in Paris, France. Specialised dry clean only.
SKU: BLV002
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In the northern peninsula of Sulawesi, the Minahasa highland society developed a distinctive identity marked by communal solidarity, egalitarian social structures, and an ancient connection to spiritual landscapes. Their historic textile tradition centres on Tenun Minahasa, particularly the hand-woven cloths known as Kabela and Pinawetengan. These textiles are woven from hand-processed plant fibres and fine cottons, utilising complex weave structures to display geometric motifs derived from megalithic stone sarcophagi (waruga) and sacred flora. The design language utilises strong horizontal arrangements, sharp chevron patterns, and symbolic references to local birds, capturing an aesthetic of strength and precision.
Minahasan weaving was traditionally intertwined with the Mapalus system, a philosophy of mutual cooperation that governed both agricultural labour and artisanal production. The weaving of a ritual cloth was a collective endeavour, in which women gathered to prepare natural dyes from tree bark and wild roots, infusing the threads with protective properties meant to shield families from illness and misfortune. These textiles served as vital markers of rank, wealth, and community belonging during covenant renewals and ancestral rites. The architectural layout, crisp, contrasting colours, and dense weave of Minahasa textiles lend a sophisticated texture to luxury home furnishings, imparting structured elegance and historical authenticity to contemporary cushion designs.
The mythology of Minahasa honours the romance of Mamanua and Lumimuut, figures who stand at the very origin of the Minahasan ancestral lineage. Lumimuut, born from a sacred stone washed by the ocean waves and fertilised by the north wind, grew into a woman of immense physical beauty and spiritual wisdom. Mamanua, a celestial being drawn to the early earthly realm, encountered Lumimuut in the lush, volcanic highlands, where their immediate connection transcended their differing origins. Their union was sanctified by the spirits of nature, establishing a household based on mutual labour, deep reverence for the soil, and familial devotion.
From their love, the foundational clans of Minahasa were born, inheriting Lumimuut’s resilience and Mamanua’s celestial insight. The oral traditions emphasise that their bond survived seasonal hardships and shifting volcanic landscapes because it was anchored in the principles of equality and communal welfare. This foundational romance is celebrated in Minahasan culture as a template for marital harmony, teaching that a family's true strength lies not in isolated power, but in its ability to intertwine its destiny with the natural world and the wider community, much like threads crossing perfectly on a loom.
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